Perhaps it happened or perhaps not.
I thought that we had been told of it in our Early Christian and Byzantine Art History class. Michelle and I took this course together as undergraduates with the estimable Jean Givens. Michelle has a more encyclopedic memory than anyone I have ever encountered since, so when she didn't recall that woman, locked away eating her icon, zealous in it, I was prepared to release the memory to construction.
At Wellfleet last weekend, I was walking with my mother along the same beach we had visited when I was a toddler. She calls it my Kermit phase because there was a certain frog-shaped beanbag without which I was loathe to go anywhere at all (including into the Atlantic Ocean, freakish or not!). Walking there, feet bare and legs sea-slicked from the kicking tide, I asked her if she remembered the whales that stranded at Wellfleet when I was a girl.
She didn't, not particularly, and I started to question my memory again. For her, the first thing she thinks of when someone mentions Wellfleet is that trip we took, she and I together on the bus. For me, I think of the whales and how I heard, somewhere along the way, that rescue workers touch them near the big, inky eye to see how close to death they are.
When my father was a boy, they beached here, too, fifty of them at once.
We stood there together, dad and I, on the deck of the cabin he had visited since he was a boy. We took turns with Grandpa's binoculars. I insisted that, in Grandpa's honor, we always bow our heads through the strap before looking at the boats. "Brown-nose," my father said, but I knew he appreciated that I knew the way Grandpa would have liked things, just so.
2 comments:
That's my favorite Magritte Painting. I wrote about my love of Magritte here: http://wexfordgirl.typepad.com/wexford_girl/2005/11/la_photo_du_col.html
Thanks for reading Annie! I can't wait to - ahem - bite into your Magritte post.
I love that painting, in part, because it's really hard to talk about it. In some ways I was a counter-intuitive art history major (back then...) - I really like those works of art that are such perfect and whole expressions intrinsically, so much so that they become really difficult to discuss.
Hmm...
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